1960s there was a massive boom in Gothic horror, with dozens films
being produced in America, England, Germany and Italy - however, Spain
was largely left behind, a combination of a repressive government under
General Franco, and a general culture that eschewed most of the myths
and legends that formed the basis for gothic horror. Spanish cult
only really began to emerge in the 1970s with films like Paul Naschy's Werewolf Shadow (1971) and Amando
de Ossorio's Tombs of the Blind Dead
(1971), but it was very popular, and within a few years the industry
had grown enough to mount a large internation co-production...
English Professor Alexander Saxton (Christopher Lee) has been
exploring in the remote mountains of China, and recovers what he
believes to be an ancient fossil, possibly the long saught missing link
that would prove evolution. Arriving in Peking to board the
Trans-Siberian Express back to Europe, he encounters his old sparring
partner, Doctor Wells (Peter Cushing). While at the station, a pick
pocket tries to sneak a peek at Saxton's crate, but is soon found dead,
his eyes a lifeless white. On board the train, Saxton is very defensive
over the contents of his crate, so Wells asks the porter to drill a
hole in the box during the night and take a peek, but soon the porter
is discovered dead, inside the crate, with the contents gone - moving
around somewhere on board the train...!
Despite its rather daft sounding premise, Horror Express
avoids becoming a typical 'stalk and slash' horror film and instead
retains the atmosphere of the classic Hammer horrors. Accordingly, most of the emphasis is on the two British scientists
trying to figure out what is going on and how to save the day. The setting aboard
the Trans-Siberian Express is very clever, explaining why the train
never has to stop at stations en-route, although there are a few noticable plot holes especially at the film's climax. The story generally gels well, with a good balance
between humour and some light scares, and enough characterisation to
make you care about the fate of the passengers. The film is quite quickly paced, especially compared to most of the traditional
gothic horror films, and it certainly never drags, building to a very
Eugenio Martín was more at home in the Spaghetti Western genre, but he
does a good job from the very start of the film, with an almost
avant-guarde opening title sequence, and he maintains a dark and
aboard the train. The shots of the monster in particular are very well
keeping it in shadow to retain its mystery but showing enough
to keep it interesting. Obviously blessed with a decent budget, the
sets and the special effects shots are very effective, although some of
the shots of the train betray its model origins. The all important
soundtrack, from the American television compser John Cacavas is an
electronically enhanced light orchestral score, in keeping with many of
the Spanish horror films from the time, and it suits the film perfectly.
film marks one of the final pairings of the classic horror partnership,
Peter Cushing and Christopher Lee. Christopher Lee had made his big
break with Hammer Horror in Britain, but during the 1960s traveled
widely, appearing in films across Europe - he gives yet another strong
performance here as the rather arrogant Professor Saxton,
managing to keep the balance between being unfriendly, and unlikeable.
Peter Cushing had remained in Britain during the 1960s due to his
wife's illness, despite the decline in gothic horror during the period,
and this was one of his first films after her death. Amazingly he still
gives a superb performance, delivering the film's best line of dialogue
with impeccable comedy timing and tone. Before becoming famous as Kojak, Telly
Savalas spent several years in Europe in a variety of exploitation and
Euro-cult movies, including Mario Bava's Lisa and the Devil
(1973) - he only gets a brief appearance here as a Cossack who is
summoned onto the train, but is certainly memorable. A few other
familiar faces, including the Spanish horror regular, the beautiful
red-haired Helga Liné (Horror Rises from the Tomb (1973)) and Julio Peña (the doomed coroner from the opening of Werewolf Shadow) make appearances, with good performances all round
is one of the most enjoyable horror films made during the 1960s/70s -
boasting that most iconic of genre partnerships, Peter Cushing and
Christopher Lee (and making full use of them - not just in cameo
roles), and gaining from a well written script and solid
production throughout. It comes highly recommended to all fans of
gothic horror, Euro-Cult horror and the films of Cushing and Lee.
Anyone famous in it?
Christopher Lee - The English actor who made his name with Hammer, but worked across Europe. Peter Cushing - Hammer's biggest star who appeared in dozens of their films, including The Mummy (1959). Telly Savalas - An occasional Euro-cult film star who became famous as the American television detective Kojak.
Directed by anyone interesting?
Eugenio Martin - a little known Spanish director who worked on a variety of Spaghetti Westerns, including the well made Bounty Killer (1966) and the simply weird Requiem for a Gringo (1968).
Is it scary?
A couple of scenes might raise a scare.
Some blood and gore, about average for a gothic horror, much lighter than most of the 1970s films.
Who is it for?
All fans of Euro-cult and Gothic horror will enjoy this, and a must have for any fans of Cushing or Lee.
Original Aspect Ratio - 1.66:1. non-anamorphic. Colour The
print is of decent quality, with strong colours - there is frequent
light print damage and some artifacting throughout. Colours are
generally more realistic than the earlier US Image release.
Screencapture comparison between the US Image release (left) and this German disc (right).
English and German mono tracks - sound fine, the English track is marginally better quality. Note: the English track includes the original voices of Christopher Lee and Peter Cushing
FORCED SUBTITLE TRACK:
With the English audio selected, a forced subtitle track appears saying
'Only for sale in Germany, Switzerland and Austria' - this subtitle
cannot be removed on a standard DVD player. Note: This
subtitle is below the image, and if you zoom in the film to 16x9 on a
widescreen TV, the subtitle track will be cut-off.
The disc includes:
German trailer (seems to be a newly created trailer).
VHS release opening and closing titles (including a slightly different
opening, showing the train going past first, then moving into the
title, and an end credit reel, not included in the film print).
Still photo gallery - still shots of the film as a video file, presented to some music.
German release. DVD Title: Der Tod fährt 1. Klasse
Region 2 (UK, Europe) PAL
Various releases in the US, but aside from the OOP Image R1 DVD, all are low quality fullscreen prints.
Believed to be fully uncut. Print used has English language titles, but Italian onscreen text.
One of the most enjoyable Euro-cult horror films, and probably the best Cushing and Lee partnership. Highly recommended.
A good looking and sounding
release, although the forced subtitles are very annoying. Light on
extras. Sadly this is the best DVD currently available.